Oil on canvas; 56×46 cm.
John Lavery «Mrs Adam at Dinner», 1890
Coby Whitmore «The Ugliest Woman in Town»
Oil on canvas; 61×61 cm.
*(Magazine story illustration, April 1955)
Jean Beraud «La conversation»
Oil on canvas; 55.9×39.3 cm.
Private collection
Knut Ekwall «The secret rendezvous»
Oil on panel; 82×65 cm.
Jeff Rowland «Lovers Stroll»
Canvas, acrylic; 60×50 cm.
Joseph Schubert «Weihnachtsidylle»
Grisaille, watercolor on thin cardboard; 27×17 cm.
Private collection
William Henry Margetson «The first Noel»
Watercolour heightened with white; 28.5×18.5 cm.
Jeff Rowland «The Pianoman», 2015 г.
Canvas, acrylic; 60×50 cm.
Jeff Rowland «It Must Be The Moonlight»
Canvas, acrylic; 50×60 cm.
Jeff Rowland «Rain Kiss»
Jeff Rowland «At The End Of The Avenue», 2015 г.
Canvas, acrylic; 50×60 cm.
Oscar Claude Monet «Garden at Sainte-Adresse», 1867
Oil on canvas; 98.1х129.9 cm.
The Metropolitan Museum of Art, New York
Пимен Гольцев «На балконе», 1957
Oil on canvas; 135х85.50 cm.
Аркадий Пластов «Полдень», 1961
Холст, масло; 174х231 см.
Государственный Русский Музей, г. Санкт-Петербург
Jeff Rowland «Blue Moon»
Oil on canvas
Как приятно осознавать, что и в наши дни есть талантливые художники, обладающие своим уникальным «почерком»… и каждая картина — повторение предыдущей и одновременно — это новое, неповторимое произведение искусства и все это одна большая Love Story…
Victor Guerrier «Rendez-vouz»
Oil on canvas; 73.7×100.3 cm.
Private collection
LOT SOLD 25,036 USD
25 OCTOBER 2016 | LONDON
Dante Gabriel Rossetti «Washing Hands», 1865
Pencil and watercolour heightened with bodycolour and with gum arabic, on paper; 44.5х37.5 cm.
Edmund Blair Leighton «God Speed», 1900
Oil on canvas; 160×116 cm.
Hugues Merle «Hamlet and Ophelia», 1873
Oil on canvas; 163.2×117.5 cm.
Hans Andersen Brendekilde «Spring, a Young Couple in a Rowing Boat», 1896
Oil on canvas; 107×155 cm.
Hans Andersen Brendekilde (Funen, 1857 — Jyllinge, 1942) was a Danish painter. Brendekilde initially worked in a social realist style describing the plight of the rural proletariat in paintings such as his famous Worn Out depicting an elderly farmworker lying fallen on his back in the furrowed field. Later his style became more religious, and eventually he mostly portrayed idyllic village life.
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